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Andy Weir: Artemis
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So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you’ve got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she’s stepped square into a conspiracy for control of Artemis itself – and that now her only chance at survival lies in a gambit even riskier than the first. Bringing to life Weir’s brash, whip-smart protagonist is actress Rosario Dawson (Marvel’s The Defenders , Sin City , Death Proof ). With the breathless immediacy of one realizing they’re one cracked helmet visor away from oblivion, Dawson deftly captures Jazz’s first-person perspective – all while delivering sarcastic Weir-ian one-liners and cracking wise in the face of death. And with a cast of diverse characters from all walks of life calling Artemis home, Dawson tonally somersaults to voice Kenyan prime ministers, Ukrainian scientists, and Saudi welders. It’s a performance that transports listeners right alongside Jazz, matching her step for step on every lunar inch of her pulse-pounding journey. The popular author of The Martian returns with an irresistible new near-future thriller – a heist story set on the moon. Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you’re not a rich tourist or an eccentric billionaire.
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